<<
Back to Second Octave |
Note
|
Written
|
Fingering
|
Description
|
Src. |
D6 |
 |
–23|123 |
|
EM |
D 6
E 6 |
 |
12–|1–3 |
For six-hole fifes. In tune. |
CS |
E6
F 6 |
 |
123|12– |
Difficult.
Do not overblow. |
BD |
12–|–2– |
For six-hole fifes. Great response. Flattens the normally sharp note. |
CS |
E 6
F6 |
 |
123|1½3 |
Tricky. |
BD |
1½–|–2– |
For six-hole fifes. Awkward but useful in combination with similar E6 fingering. |
CS |
F 6
G 6 |
 |
123|1–3 |
Easier
response than F6. |
BD |
G6 |
 |
123|––3 |
Good
on most whistles. |
BD |
G 6
A 6 |
 |
12½|––3 |
Occasionally
possible in passing. |
BD |
––3|––– |
For six-hole fifes. |
CS |
A6 |
 |
12–|––3 |
Good
tuning and response on some whistles. |
BD |
12–|–23 |
Good
tuning and response on some whistles. |
BD |
–23|12– |
For six-hole fifes. |
CS |
A 6
B 6 |
 |
–2–|1–– |
Typically flat. Sound is sometimes muffled. |
CS |
B6
C 7 |
 |
1–3|–2– |
Typically sharp, perhaps more than a quarter tone sharp. |
CS |
B 6
C7 |
 |
1–3|–23 |
For
tin whistles. Requires a lot of air. |
MW |